I.
Women keening
Seemingly without meaning
Here I am at eleven
Beloved grandfather
Sleeping in satin
Soon to be under the earth
Family gathered
For a solemn funeral
II.
When suddenly
Two of my aunts
Dad’s oldest sisters
Begin an eerie lament
These unobtrusive women
Wailing into the darkened morning
Teetering dangerously
On the grave’s edge
Covering the noise
Of the hydraulic mortuary lift
Lowering the coffin
Like lowering a car at the mechanic’s
III.
Eleven year old me
Trying not to cry
As their voices tore
The fabric of the sky
Suddenly the aunts
Throw themselves atop the coffin
Screaming in their native tongue
Their husbands and brothers
My dad included
Pulling them away
And here is me
Suddenly
Beginning to giggle
A nervous hiccupping
Trying to stifle it
Before mom sees and slaps my face
She, however, face buried in lacy hanky
Shoulders shaking in grief-struck crying
Looks at me
And I saw her eyes
Through dark lenses
Eyes crinkled in her own nervous laughter
And we hold hands trying not to laugh
Trying not to cry
We are a disgrace
But nerves care not who has died
And the machinery and keening and prayers
Drown out our insane sadness
Because crying and laughter
Are twin emotions
IV.
Later, dad says
I hope you laugh at my funeral
Much better to laugh than cry
But I think he didn’t understand
Despite his kindness
That keening wasn’t only a shrieking
But an ancient emotion
Tangled in female DNA
Tears or snorting laughter
Hysteria, like the word
Hysterectomy
A double X chromosome
Related to reproduction
Love, birth and death
V.
And some years later
Listening to Janis Joplin
Wailing at Monterrey
My neck hair tingling electrically
As I recognized her keening
For lost love, a lost man
And decades later
As Brittany Howard
Let out her wail
Not wanting to fight no more
I recognize that chain
As I keen with my sisters
Crying
Laughing
Singing
To release the pain
Of female loss…
© 2016 Clarissa Simmens (ViataMaja)